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Others much more qualified than I have already worked through the particulars of the paleontology offered in the film. Released on November 13, 1940, Disney’s Fantasia includes a segment of some twenty minutes that pairs Igor Stravinsky’s ballet Rite of Spring with an animated sequence which portrays the evolution of life from ocean microbes right through to the extinction of the dinosaurs. Into this deeply ambivalent cultural context marches an unexpected figure: Walt Disney.
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The Synthesis’s mission of making and remaking evolution is, arguably, the central task of the biological sciences. But let’s not get hung up on the details yet.) At the same time, we are in the middle of the building of the Modern Synthesis, between the groundwork of Fisher, Wright, and Dobzhansky and the later work of Julian Huxley, Mayr, Simpson, and Stebbins.
#FANTASIA WHEN I SEE YOU TORRENT TRIAL#
We find ourselves just fifteen years beyond the (in)famous Scopes Trial, in which John Thomas Scopes is convicted of a crime for teaching evolution to his high school students – Tennessee’s Butler Act having made it illegal to teach “that man has descended from a lower order of animals.” (Of course, it’s not actually clear that he did teach evolution, and it’s eminently clear that the trial was staged, broadly, as a PR stunt.
#FANTASIA WHEN I SEE YOU TORRENT TORRENT#
At the same time much care has been taken over the fingering and the best positions are shown in order to facilitate easy reading and make playing more expressive.Ĭonvinced of the worth of Jaume Torrent as a guitarist, teacher and composer, it gives me much pleasure to present theses Twenty-four Romantic Fantasies considering that they reflect clearly the artistic personality of one with sentiments and emotions and a longing to express them.The year is 1940. In these fantasies the composer offers guitarists beautiful music which helps to penetrate in the artistic and functional sense of the fingerboard, enriching the player with explorations that transcend the limited points of reference in which habitually and with excessive reiteration chords, melodies and formulas are distributed. This represents a new departure in the field of music of the guitar and has enabled him to create a considerable variety of expressive shades while at the same time exploring new sounds and techniques which will benefit all those who study and assimilate them. Despite this, it should be recognised that the repertoire for the guitar falls a long way short of that reached by such instruments as the violin and piano.Ĭonscious of this gap on the works available for guitarists Jaume Torrent was keen to penetrate that epoch with the composition of these Twenty-four Romantic Fantasies written in each one of the modern major and minor keys.
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The important compositions of Francisco Tarrega (1852-1909) and some of his followers was impregnated with the aesthetic values of romanticism fashioned by those illustrious masters mentioned above. Composers as famous as Schubert, Mendelssohn, Chopin, Schumann, Berlioz and others cultivated, on the margin of their greater works, and in minor forms, a distinctly intimate style which did not benefit the guitar in spite of its being an ideal instrument to express it. The romantic spirit, which characterizes a great part of the works pf the celebrated composer Fernando Sor (1778-1838), did not find in music for the guitar, other than in occasional manifestations as in the case of Napoleon Coste (1806-1883), continuity worthy of a place beside the great contributions that attract our attention in the rest of instrumental music.